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Lucknow, April 26: Ridaan Array and Sukanya Ram Saxena Foundation, in association with Max Super Speciality Hospital as the Title Sponsor, successfully organized the Samavesh Run, a community initiative dedicated to promoting inclusion and awareness for specially-abled individuals. The event witnessed enthusiastic participation from individuals across diverse backgrounds, including specially-abled participants, reinforcing a collective commitment towards equality and accessibility. The run was flagged off by Dr Walliulah Siddiqui, Liver Transplant Surgeon, and Dr Rahul Yadav, Urologist from Max Super Speciality Hospital, who commended the initiative and emphasized the importance of inclusive social frameworks. Organiser Surabhii Aplesh highlighted that the initiative aims to encourage equal participation and challenge societal barriers, fostering an environment where individuals of all abilities can engage confidently. The run commenced from Gate No. 2 of Max Super Speciality Hospital, extending up to Lohiya Chauraha and concluding at the hospital premises. With categories including 10 km, 5 km, 2 km, and 1 km, the event ensured accessibility across age groups and ability levels. The Samavesh Run stood as a meaningful step towards building a more inclusive society, bringing together communities through shared purpose and participation

Vishwakalyan English Medium School, Chikhli – Pune, achieved remarkable success in the CBSE Class 10 Board Examination 2025–26, securing a 100% pass result. To celebrate this achievement, a felicitation ceremony was held in a vibrant and enthusiastic atmosphere to honour the meritorious students, their guiding teachers, and the Principal, Dr Deepali Shirgave. The program commenced in the presence of esteemed dignitaries, including Director Jitendra Mehta, Director Neelam Mehta, Principal Dr Dipali Shirgaave, along with teachers and parents. The school management organised the felicitation ceremony to appreciate the students’ outstanding performance and recognise their hard work, dedication, and focus. Students also shared their experiences and sources of inspiration behind their success, creating an uplifting and motivating environment. The following students were honoured for their academic excellence: Om Amol Chepte – 96% Arya Amol Bodke – 95% Rishita Anshuman Shahi – 92.4% Neel Jitendra Kanodia – 92.4% Kunal Vijay Kale – 91.4% Anant Vishwakarma – 90% Teachers and parents congratulated the students for their achievements and appreciated the school’s guidance and support. The program concluded with a vote of thanks, highlighting the valuable contributions of students, teachers, and parents. The school reaffirmed its commitment to guiding students toward excellence in the future as well.

Deputy CM Brajesh Pathak Unveils Transformative Book Peeda Se Prerna Lucknow, April 18, 2026: A powerful confluence of inspiration, innovation, and social transformation unfolded in Lucknow with the successful आयोजन of the “I-Inspiration (Inspiring Others) Awards 2026 – 5th Edition.” The prestigious event was jointly organised by We Care Foundation, Maharishi University of Information Technology (MUIT), and ICICI Prudential Life, with valuable support from the Bank, at the elegant Hilton Garden Inn, Lucknow. The ceremony was graced by the esteemed presence of Deputy Chief Minister Shri Brajesh Pathak as the Chief Guest. The event also welcomed prominent dignitaries, including Smt. Namrata Pathak, MLC, Shri Avnish Singh, MLA, Shri Neeraj Bora, and Dr Priyanka Maurya, Member of the State Women’s Commission. The awards recognised individuals and educators who have made remarkable contributions to education, inspiration, and social empowerment, reinforcing the platform’s commitment to meaningful societal progress. Focus on AI in Education and Women’s Well-being A key highlight of the event was a series of thought-provoking panel discussions addressing contemporary issues. The session on “The Future of AI in Education” brought together experts who explored the transformative role of Artificial Intelligence in reshaping learning ecosystems. Discussions emphasised how AI-driven tools will enable personalised education, enhance learning outcomes, and position India as a global leader in education innovation. Complementing this was the impactful session titled “Wellbeing Begins Within – Fitness,” which underscored the importance of women’s health, mental wellness, and physical fitness. Experts highlighted that empowered, healthy women form the cornerstone of a progressive and resilient society. Book Launch: Peeda Se Prerna A significant moment of the event was the unveiling of the book “Peeda Se Prerna: Empowering Women, Inspiring Change” by Deputy CM Shri Brajesh Pathak. Authored from the PhD research of Dr Renu Singh, the book captures deeply moving narratives of women who have transformed adversity into strength. It serves as both an inspiration and a roadmap for societal change through resilience and empowerment. Strong Voices on Women’s Rights The event also witnessed strong advocacy for women’s rights and representation. Expressing concern over the non-passage of the Mahila Vandan Adhiniyam, social worker Smt. Namrata Pathak delivered a powerful statement, asserting that “the nation’s female power will rise to challenge and end modern-day injustices.” The platform amplified awareness among women about their rights, encouraging active participation in societal and political discourse. Leadership Driving Change The event was spearheaded by Dr Renu Singh, whose visionary leadership continues to drive impactful initiatives in women's empowerment and social development. The awards ceremony aimed to create a dynamic platform for dialogue, recognition, and action—bridging traditional social values with modern technological advancements such as AI. Distinguished Presence and Recognitions The समारोह witnessed the presence of several eminent personalities, including Dr Bhanu Pratap, Diksha Sachdeva, Dr Gita Khanna, Dr Richa Mishra, vidhiAgarwal, and Dr Vijay Ratna Tomar (Block Pramukh). Marking its fifth successful edition, the I-Inspiration Awards honoured principals of various schools, acknowledging their dedication and long-term contributions to shaping future generations. Celebrating Culture and Creativity Adding a vibrant cultural dimension to the event, Jaya Tiwari, leader of India’s first all-women band, delivered a stirring musical performance that energised the audience and symbolised the spirit of empowered womanhood. A Platform for Change and Innovation Speaking on the occasion, Anant Tripathi, representative of the organising team, emphasised that the initiative catalyses positive social transformation by integrating awareness, empowerment, and emerging technologies. The “I-Inspiration Awards 2026” has evolved beyond an awards ceremony into a dynamic movement—bringing together ideas, innovation, and inspiration to shape a more inclusive and progressive society.

At the ongoing Bengal Art Factory's Summer Edition, a contemplative hush seems to gather around one particular canvas — Soumita Saha’s self-portrait Fragments of Silence. Amidst a constellation of participating artists, this work quietly asserts itself as the exhibition’s centre of attraction, not through spectacle, but through a layered introspection that invites viewers to linger, decode, and return. The composition is striking in its deliberate restraint. The subject — the artist herself — emerges in a nuanced monochrome, her presence almost suspended between revelation and withdrawal. This grayscale rendering is neither bleak nor subdued; instead, it becomes a psychological terrain, allowing emotion to speak through tonal subtleties rather than overt drama. In poignant contrast, two cards within the frame break the monochromatic stillness. These elements, rendered in colour, become visual anchors — vibrant yet uneasy — their surfaces stained with newspaper prints. The juxtaposition is deliberate: personal identity framed against mediated reality, private silence interrupted by the noise of public narratives. The use of newspaper textures suggests the relentless imprint of external discourse on the self. Headlines, fragments, and typographic residues appear not merely as aesthetic devices but as metaphors for the contemporary condition, where personal introspection coexists with the weight of collective information. Through this interplay, Saha constructs a dialogue between interiority and influence, solitude and scrutiny. Reflecting on her choice of subject, the artist remarks, “I have always resonated deeply with Frida Kahlo’s belief that she painted herself because she was the subject she understood the best. I rely on that thought profoundly. In many ways, I, too, believe the self is the most honest landscape available to me.” This philosophical alignment becomes evident in Fragments of Silence, where the gaze is not outward but inward, searching for meaning in stillness. The exhibition, held at the Ramakrishna Mission Institute of Culture, Golpark, brings together a diverse group of artists, each presenting distinctive visual languages. Yet Saha’s work distinguishes itself through its meditative intensity and conceptual clarity. Rather than competing for attention, it draws viewers into a quieter engagement — one that unfolds gradually, almost like a whispered conversation. Saha further contextualises her approach by invoking another towering figure in art history: “I often think about how Vincent van Gogh returned to his own image repeatedly, using self-portraiture as a means of understanding existence itself. That persistence inspired me. Choosing myself as a subject is not an act of self-obsession, but an attempt to examine vulnerability, perception, and identity through the only experience I truly inhabit.” This connection situates Fragments of Silence within a lineage of introspective self-portraiture, while still maintaining its distinctly contemporary voice. The painting does not merely depict the artist; it constructs a layered reflection on selfhood shaped by memory, media, and emotional quietude. In a hall filled with varied expressions, Soumita Saha’s canvas stands like a pause between sentences — subtle yet unforgettable. Fragments of Silence does not demand attention; it earns it, slowly, thoughtfully, and with enduring resonance.

Baler, Aurora | April 17, 2026 In a significant milestone for international academic collaboration, Dr Pratik Mungekar has been appointed as a Foreign Affiliate Professor at Aurora State College of Technology (ASCOT). He is the first Indian scientist to receive this distinction at the institution, which is widely recognized in the Philippines for its focus on innovation, research, and community-driven education. The appointment was formally conferred on April 17, 2026, following Dr Mungekar’s impactful academic engagement with ASCOT. During his visit, he delivered two international lectures on Artificial Intelligence in Research and Education . The sessions drew strong participation from students and faculty and were praised for their practical insights and contemporary relevance. The enthusiastic response to these lectures led ASCOT’s leadership, under the guidance of President Renato G. Reyes, to extend this prestigious academic honour. The move reflects the institution’s commitment to strengthening global partnerships and integrating world-class expertise into its academic ecosystem. About ASCOT Aurora State College of Technology is a leading public higher education institution in Aurora province. Known for its emphasis on science, technology, and sustainable development, ASCOT offers a diverse range of undergraduate and postgraduate programs. The college plays a key role in regional development through research, innovation, and extension services, equipping students with globally relevant skills. Advancing Global Academic Collaboration Accepting the appointment, Dr Mungekar expressed gratitude and outlined his vision for the role. He emphasised fostering research collaborations, introducing AI-driven methodologies, and empowering students and faculty with global perspectives. He also highlighted opportunities for joint research initiatives, faculty development programs, student exchanges, and innovation-led projects—aimed at strengthening academic and technological ties between India and the Philippines. This appointment marks a defining moment in Dr Mungekar’s academic journey while also reinforcing growing educational collaboration between the two nations, setting the stage for sustained innovation and shared excellence.

Days after she passed into history to become a legend, and hours after she was cremated with full state honours in Mumbai, the one song her fans kept sharing and singing on social media was her immortal number, “Mera Kuchh Saaman…”  (“My few belongings…”) from Ijazat. Perhaps they did so in the hope that Asha Bhosle, who mesmerized millions over eight decades with her mellifluous playback singing in Indian cinema, might return from her heavenly abode—if only once—to collect her cherished belongings left behind in this temporal world and enthrall her admirers with yet another magical performance. But like the poet in To a Skylark, who sees the lark as an ideal being transcending common experience, our quest for our beloved Ashaji remains elusive, for the legendary singer will never return. The lark has finally flown away. Ashaji was ailing and in pain. She was 92 and well past her prime. Yet, on the afternoon of March 12, when news alerts began beeping on my mobile phone one after another, and I checked to find that Ashaji had passed away, I felt an instant sinking sensation. To my utter surprise, my eyes welled up. It was not only her smiling face, her inimitable style of singing, and her lively stage performances that flashed before my eyes. It was also her distinctive way of dressing—embellished silk saris, bold bindis, and statement jewellery—which stood in striking contrast to the austere simplicity of her elder sister, the Nightingale of India, Lata Mangeshkar. Ashaji was remarkably distinctive not only in her attire but also in her singing. Her power lay as much in her adventurous, unmistakable voice as in her prolific output and her insistence on being seen and heard on her own terms. While Lataji established herself as the voice of the sweet, innocent heroine, Ashaji became the voice of the cabaret dancer or the heartbroken courtesan. Lataji embodied a desexualized melodic classicism, whereas Ashaji represented playful reinvention. Throughout her career, Ashaji faced numerous challenges, but she overcame them with talent, tenacity, versatility, and originality, proving emphatically that tough times never last, but tough people do. In her early days, she struggled to emerge from the shadow of her elder sister, whose meteoric rise overshadowed her completely. While Lataji was assigned lead songs in major productions, Ashaji often had to settle for secondary songs and lower-budget films. These constraints brought out the best in the Sangli-born singer. She eventually achieved her breakthrough through her collaboration with the composer O. P. Nayyar, whose sensuous and playful compositions—such as “Aaiye Meherbaan”  (1958) and “Yeh Hai Reshmi Zulfon Ka Andhera”  (1965)—suited her huskier voice perfectly and made her a favourite among cinegoers across the country. From cabaret and Western-influenced songs, Ashaji moved effortlessly across genres, recording devotional music, folk, pop, and ghazals—lyrical, poetic compositions rooted in classical traditions. The most defining phase of her career came with her partnership with R. D. Burman. Burman Da’s experimental arrangements and global influences—jazz, rock, and Latin rhythms—found their ideal expression in Ashaji’s voice. Together, they reshaped Indian film music with iconic compositions, including the sultry “Piya Tu Ab Toh Aaja”  from the 1971 classic Caravan . These songs brought to the fore Ashaji’s unconventional and unapologetically modern voice. She crafted a unique vocal persona—flirtatious, expressive, and rhythmically adventurous—that resonated deeply with a younger, more cosmopolitan audience. Her enduring legacy lies in her ability to adapt to the evolving demands of playback singing. She remained relevant even as musical tastes changed over time. Even in her late sixties and beyond, she continued to lend her voice to a new generation of actors, collaborating with music directors more than three decades younger than her. She worked with contemporary composers like A. R. Rahman and collaborated with international artists such as Boy George, Michael Stipe, and even cricketer Brett Lee. Her voice became the soundtrack of generations, winning both hearts and charts. Her astonishing range and longevity made her one of the most recorded voices in modern Indian music. She recorded thousands of songs across genres and languages, earning a rare recognition from the Guinness World Records for the most studio recordings by any artist. As the British band Cornershop sang in their 1997 tribute “Brimful of Asha,” —“Asha Tai” will keep our dreams alive from morning through evening to the end of light. E.O.M

History is not just about what happened. It is about how it is remembered, interpreted, and passed on. For generations, the story of Maharana Sangram Singh, widely known as Rana Sanga, has been shaped by accepted narratives that few have questioned. The Real History of Rana Sanga by Sivkishen Ji, also known as Kishen SSR, enters this space with a clear intent to revisit and re-examine established perspectives through a research-driven approach. A Different Approach to Historical Writing What distinguishes this work is not merely its subject, but its method. Instead of relying solely on traditional storytelling, the book adopts a structured, analytical approach. It examines the life, leadership, and legacy of Rana Sanga through historical references, logistical analysis, and interpretative reasoning. Key events such as the Battle of Khanwa, the political alliances of Mewar, and the broader dynamics of 16th-century India are explored with an emphasis on depth and context rather than surface-level narration. The work positions history as an evidence-based inquiry rather than a fixed narrative. Encouraging a Critical Lens The strength of this work lies in its ability to encourage readers to think. Rather than presenting conclusions as final, the narrative invites reflection. It encourages readers to question, analyse, and engage with historical events more consciously. This approach reflects a growing shift toward deeper engagement with history in today’s information-driven world. A Cross-Disciplinary Conversation The book has drawn attention from professionals across multiple fields, reinforcing its relevance beyond conventional historical writing. As reflected in the appreciation and evaluation section, including page 418, the work is associated with the following contributors and experts: Jocelyn C Lee Dr Ramesh Kanneganti A K Choudhary Virendra Singh Sisodia Sandeep Thakur Dr HC Prachetan Potadar Priyanshu Goel Prof S P Garg Prof Surendera Kala Prof Urmila Bararia Harilal Gohil In addition to them, the work has also received recognition and intellectual support from: Ajay Kumar Choudhary Prof Urmila Bararia Virendra Singh Sisodia Prof S P Garg Dr Kumar Vishwas These names reflect a wide spectrum of expertise across governance, academia, law, research, media, and creative strategy, highlighting the multidisciplinary nature of the work. The Author Behind the Work Sivkishen Ji, the pen name of Kishen SSR, is an internationally recognised author and a member of the National Book Critics Circle in the United States. With more than four decades of experience across industrial leadership and research, his work reflects a strong foundation in systems thinking, analytical frameworks, and structured storytelling. His intellectual grounding in Vedic literature, combined with modern analytical methods, shapes a distinctive approach to historical interpretation. Why It Matters Today In an era of constant information flow, readers are no longer satisfied with surface-level narratives. There is a growing demand for depth, authenticity, and critical engagement. This work aligns with that shift by encouraging readers to revisit established narratives with a more thoughtful and analytical mindset. Conclusion History evolves when it is revisited with intent and discipline. The Real History of Rana Sanga does not claim to be the final word. Instead, it stands as an invitation to re-examine, reflect, and engage more deeply with the past. It reinforces a simple but important idea. Understanding history is not just about accepting what is told, but about exploring what may have been overlooked.

Stress doesn’t always shout. Sometimes, it whispers. It hides behind a polite smile, a calm demeanour, a person who seems to “have it all together.” This quieter kind of stress often goes unnoticed—not just by others, but even by the person experiencing it. During Stress Awareness Month this April, it’s important to bring attention to these subtle emotional burdens and explore gentle, holistic ways to support inner balance. One such approach comes from the system of Bach Flower Remedies—a natural method of emotional healing that addresses the underlying feelings contributing to stress. Understanding Quiet Stress A mind that keeps going on and on even after the day has ended.
That inside voice and feeling of always being behind, even when you’re doing your best. It becomes the background music within. Easy to overlook. Easy to normalise. When you begin to look a little closer, stress often shows up in different emotional patterns. And obviously, each one needs a different combination. Also, unlike acute stress that shows up as panic, irritability, or overwhelm, quiet stress is more internalised. It may look like: * Constant overthinking * Suppressed emotions * Silent self-doubt * Feeling responsible for everyone else’s well-being * Difficulty saying no * A sense of inner tension despite outward calm Because it’s less visible, this form of stress can persist for long periods, gradually affecting emotional and physical health. A Gentle Path: Bach Flower Remedies Developed in the 1930s by Dr Edward Bach, these remedies are made from wildflowers and are designed to restore emotional harmony. Rather than suppressing symptoms, they gently address the emotional patterns at their root. Here are some key remedies especially suited for quiet, unseen stress: For the Overthinker: White Chestnut If your mind feels like it’s stuck on repeat—replaying conversations, worrying endlessly—this remedy helps calm mental chatter. It supports clarity and brings a sense of mental peace. 🌼 For the Silent Struggler: Agrimony Often called the “smiling mask” remedy, Agrimony is for those who hide their worries behind a cheerful exterior. It helps you gently acknowledge and process inner discomfort rather than avoiding it. 🌼 For Those Who Can’t Say No: Centaury If you tend to prioritise others at your own expense, Centaury strengthens your ability to set healthy boundaries while maintaining kindness. 🌼 For Self-Doubt and Inner Criticism: Larch This remedy supports confidence and self-belief, especially when stress stems from feeling “not good enough” or fearing failure. 🌼 For Emotional Sensitivity: Walnut Ideal during times of change or when you feel easily affected by others’ opinions, Walnut helps create emotional stability and protection. 🌼Elm
For times: when everything simply feels too much.
Often comes when you’re usually capable and coping well, but something tips the balance.
That sense of “I can’t hold all of this”. 🌼Impatiens 
: When everything feels a bit too slow, too irritating.
A short fuse, frustration, snapping more easily than you’d like.
Often alongside an underlying feeling of pressure. 🌼Cherry Plum:
 For moments where it feels like everything might spill over.
A fear of losing control, or emotions building to a point that feels overwhelming.
Can feel intense, especially when things have been held in for a while. 🌼Rock Water :
For being hard on yourself in quiet, rigid ways.
Holding yourself to high standards, not allowing much flexibility or softness.
Often linked to pressure that comes from within. 🌼Vervain:
 For when your energy is “on” all the time.
Driven, passionate, wanting to do things well - but tipping into tension or overdrive.
That feeling of not quite being able to switch off. 🌼Oak:
 For those who keep going no matter what.
Pushing through tiredness, carrying on even when your energy is depleted.
Strong on the outside, but often running on empty underneath. 🌼 For Hidden Exhaustion: Olive When stress doesn’t look dramatic but leaves you deeply drained, Olive restores a sense of vitality and renewal. How to Use Them Bach Flower Remedies are simple to incorporate: * Add 2 drops of a selected remedy to a glass of water and sip throughout the day * Or take directly under the tongue * You can combine multiple remedies (typically up to 5–7) tailored to your emotional state They are safe, non -habit-forming, and suitable for all ages. Listening to What Isn’t Said This April, as conversations around stress become more visible, remember to also honour the invisible layers—the quiet tension, the silent resilience, the emotions that don’t always find words. Healing doesn’t have to be loud or forceful. Sometimes, it begins with a pause, a moment of awareness, and a gentle remedy that helps you reconnect with yourself. Though all look like “stress” on the surface. But underneath, they’re very different experiences. And often, it’s only when you recognise the pattern that things begin to shift. If you’ve been feeling a bit off lately, this might be a place to start. A small realisation and an intention to feel better from within. A personalised remedy can gently support you in what’s really going on underneath - rather than just the surface feeling of stress. Because even the quietest stress deserves to be heard—and softly healed. If you would like to chat more about these solutions, workshops and sessions on the remedies, she would be delighted to chat with you about them. Follow me on LinkedIn: @rakshaa Chhabriaa http://linkedin.com/in/rakshaa-chhabriaa-bb8b52388 Insta link: rakshaachhabriaa https://www.instagram.com/rakshaachhabriaa? igsh=ZTN6MDl2cXdicnoz&utm_source=ig_contact_invite Facebook : Rakshaa Chhabriaa https://www.facebook.com/profile.php?id=100068836840546&mibextid=LQQJ4d YouTube: RakshaaChhabriaa https://youtube.com/@RakshaaChhabriaaa?si=2Gsu5TZsUsf0joZe

Face of Inspiration 2026 – Ideal School Award Ceremony Organised by Express Media Enterprises, Pune Date of Event:  05 April 2026 Time:  5:00 PM Venue:  Ramkrishna More Auditorium, Chinchwad Organised by:  Express Media Enterprises, Pune Chinchwad, Pune: Express Media Enterprises, Pune, organised the “Face of Inspiration Awards Ceremony 2026” , a prestigious event dedicated to recognising individuals and institutions that have contributed inspirational work to society. The event was held on 5 April 2026 at 5:00 PM at Ramkrishna More Auditorium, Chinchwad , in the presence of distinguished guests, students, teachers, and respected members of the community. The Chief Guest for the ceremony was Hon. Udayji Samant . The event was also graced by Hon. Makarand Anaspure  as a special guest, while Hon. Bharatji Gite  attended as the chief mentor and guide for the program. During the ceremony, several individuals and organisations from different fields were honoured for their outstanding contributions. The event was conducted in an enthusiastic and well-organised manner. Representatives from various schools, along with teachers and students, actively participated in the program. Vishwakalyan English Medium School (CBSE), Chikhli,  was honoured with the “Ideal School Award”  in recognition of its remarkable work in the field of education. On this proud occasion, the school’s Founder, Mr Jitendra Mehta , Director Mrs Neelam Mehta , and the school’s inspirational guiding Principal Dr Dipali Shirgave  were present along with the teaching staff, students, and parents, who attended the ceremony with great enthusiasm and joy. A special highlight of the program was a live interview conducted by Makarand Anaspure with Hon. Bharatji Gite . During the conversation, Bharatji Gite shared his experiences and offered valuable guidance to students. He spoke about his journey in the aluminium industry through his company “Taular” in Chakan and Supe , where he has achieved remarkable success. His achievements and contributions were widely appreciated by the audience. The entire program was efficiently organised by Mrs Manisha Thorat–Pisale , whose efforts ensured the smooth execution of the ceremony. The award distribution ceremony concluded successfully. The event served as a source of encouragement for participating institutions and helped promote positive inspiration within society. Such initiatives play an important role in recognising and motivating meaningful contributions toward social development. Date:  06 April 2026 Report by:  Shobha Karale

Pune, April 5, 2026 – In a historic morning of empathy and athleticism, Pune witnessed its most heartwarming running event yet—an Inclusion Run—organised jointly by Soma Gupta, Founder of Ghumkkad, and Dr Rashmeet Kaur, Founder of My Sensory Park. The event, held on April 5th at Tribeca High Street, broke social barriers by seamlessly blending mainstream runners with 80 neurodiverse children, many of whom participated in a marathon for the very first time. The day was hosted by Ms Vinamrata Bhatia, who anchored the proceedings with warmth and energy. Trailblazer powered the event as the managing partner, led by Rahul Shah and Deepakshi Shringare, whose behind-the-scenes coordination ensured everything ran smoothly. Decathlon came on board as the Gifting Partner, providing quality merchandise that added to the joy of all participants. The morning began at 5:45 AM with registrations, bibs, and t-shirt distribution for the 5 km category. The response was overwhelming, with hundreds of participants gathering in a vibrant display of solidarity. Community partners Heartfulness and Rotaract Cantonment volunteers managed the energetic crowd with seamless precision. Adding to the festive atmosphere, Ish Glitters created beautiful designs on adults and children, building excitement for the run ahead. Hush and Company kept dehydration at bay with an amazing wake-up shot and refreshing watermelon juice. Zumba with a Difference The warm-up session was led by Saarthak Ghosh, a neurodiverse individual and Zumba instructor, who rocked the participants alongside his mother, Smita. Adding to the energy was little influencer Ishwari Dhawade, who joined the Zumba session and inspired many young participants with her enthusiasm. Flag Offs, Run Buddies & On-Route Support The 5 km run was flagged off at 6:45 AM by Ms Massarat Tavawalla, who also ran alongside the participants. Supporting runners throughout the course were Vibhat Pillai and Vismay Pillai, both neurodiverse individuals who served as dedicated run buddies. On-route support was provided by the Blue Brigade running group, led by Mr Yusuf, ensuring hydration, encouragement, and safety for all participants along the course. Registrations for the 3 km, 1 km, and fun walk began at 7:00 AM, followed by a flag-off by Mr Sumit Sehgal, Kumar Uncle from Anandvan Foundation, Bharat Patil, and renowned RJ Kedar Joshi. Celebrations & Recovery Post-run, participants were felicitated by the chief guests and distinguished dignitaries. A wholesome breakfast was served, while Astrax Nutrition provided a stellar range of protein supplements for recovery. Kinder Spring and Swaniketan, by Paranjapes, engaged with parents of special needs children, offering valuable guidance. To help runners cool down, Heartfulness conducted a beautiful meditation session. The event also featured healthy, delicious desserts from their dessert partner. Overwhelming Response The most remarkable achievement of the day was the participation of 80 neurodiverse children, all of whom received marathon t-shirts, bibs, and medals. For many, this was their first-ever marathon experience. Organisers report that the feedback from these families has been overwhelmingly positive, with many calling it a life-changing event. "This was not just a run; it was a statement that Pune believes in inclusion," said Soma Gupta. Dr Rashmeet Kaur said, 'Seeing the smiles of those 80 children cross the finish line made every effort worth it." The Inclusion Run has set a new benchmark for accessible sporting events in Pune, and organisers have hinted at making it an annual tradition.

In William Shakespeare’s immortal romantic comedy, “Twelfth Night,” Malvolio had said: “Some are born great and some have greatness thrust upon them.” The popular Bengali film, TV and OTT actor Rahul Arunoday Banerjee, who died at the age of 43 after a tragic drowning incident at Talsari beach in Digha while reportedly shooting for a TV series, belonged to the second category. There is an age-old Latin aphorism, “De mortuis nil nisi bonum,” which when translated into English means, “Nothing but good should be spoken of the dead.” However, this aphorism doesn’t in the least apply to my 19-year-old association with this thespian par excellence, whose premature demise has shocked the entire nation. The Kolkata-born actor, who made his first stage appearance at the age of three in “Raj Darshan,” a production staged by his father Biswanath Banerjee’s theatre group, “Bijoygarh Atmaprakash,” was so good a human being that you do not need to add an extra word in his praise as you pay homage to his departed soul. First as a journalist and then as a film and TV actor, I had the wonderful opportunity of working with Rahul and to know him both as an accomplished artist and an exceptionally good human being from very close quarters. My association with him began in 2008, when he had come to Siliguri to shoot for the filmmaker-turned-politician Raj Chakraborty’s debut film “Chirodini Tumi Je Amar.” I was allotted the assignment by my newspaper house to interview him for our Friday supplement. After I fixed an appointment with his production manager for an exclusive interview at the hotel, where the entire film unit had put up, I arrived at the hotel lounge at 5.00 pm. As I was seated on a sofa at the lounge, I could see through the corner of my eyes a young and very ordinary man in his mid-twenties, dressed in a grey t-shirt and a black trouser, alighting from the lift to my right and walking towards me. I could instantly make out that it was Rahul and though it was just 5.08 pm he apologized to me smilingly for being late. As he sat down in a chair before me, he shook hands with me and said, “Sorry Dada I kept you waiting. Actually I was caught up in a script session with our assistant director.” After an exchange of some pleasantries, I quizzed him on various aspects of the film he was shooting for and about his role in the film for over three quarters of an hour. It was the fourth film of his life and he said that he was feeling very excited about it as he was acting in a lead role for the first time in his 13-year-old film-acting career. Unlike many actors, who are on guard or work-mode during interviews, Rahul was remarkably open and engaged and shared his genuine passion and personal life lessons, moving beyond standard promotions. When I left the hotel lobby that day after completing a one-of-its-kind interview during my 19-year-long career in journalism, I could hardly imagine in the wildest of my dreams that we would become so close to each other in the coming years. The film “Chirodini Tumi Je Amar,” which was released a few months later on Independence Day that year, turned out to be an all-time blockbuster romantic drama in Bengali cinema. It ran for 25 weeks, revitalizing a moribund Tollywood industry with a teenage love story that combined emotional drama with rural settings of north Bengal and making Rahul a superstar overnight. The abrupt and immense transformation from an ordinary man to a celebrity brought sudden fame, power, and wealth to him, but Rahul remained the same ordinary actor, never flaunting his celebrity status. When I interviewed him twice in 2012 and 2013, it was the same Rahul whom I had interviewed in 2008. I never had the feeling that I was talking to a superstar of Bengali cinema – an actor, whom millions loved and admired. By 2015, I had become very close to him, but our actual journey together began in April that year, when on a rainy evening a renowned production company of Kolkata informed me over phone that in mid-May the same year they would shoot a few episodes of their upcoming TV series, in which I have been selected to play the role of a tea-stall owner in the terai regions of the Darjeeling hills. As I had already been producing, directing and acting since 2006 in short films and music videos of our own production house, We Feel Creations,” I immediately agreed to their offer. When I reached the shooting spot I saw Rahul, who was playing the protagonist in the series. He instantly recognized me and said, “Ah Parag da. How are you? It will be great fun to work with you.” We shook hands and started the shoot, which lasted for five days. Both during and after the shooting everyday, while the other star actors of the unit would retire to their suites after giving their shots and maintained a distance from other members of the unit, Rahul would chat with me and another co-actor at the shooting spot in between the shots or in the evening on the hotel terrace after the day’s work was over. One fine morning during the shooting, Rahul wanted to have egg curry for lunch but it was not available at the hotel or the few small restaurants around the hotel as it was a remote location tucked away in the jungles of the Dooars. A senior member of the local production team and my better half, Mrs Dipika Biswas had to then cook it for him and carry it all the way from Siliguri to the shooting spot in the jungles of Malbazar – a distance of about 110 kilometers – to satisfy his sudden urge for the dish. Rahul ate the curry extremely relishingly, savouring every bite of it with child-like enthusiasm and intermittently thanking Dipika for the “wonderfully cooked” dish. The child, the man, the actor, who won millions of hearts with his versatile acting and down-to-earth nature, will never again return to love us and entertain us. E.O.M.

Pune, March 30, 2026: In a progressive step toward integrating technology with foundational education, Camp Education Society’s Dr Cyrus S. Poonawalla English Medium High School and Junior College inaugurated a state-of-the-art robotics laboratory for students from Nursery to Standard VII. This initiative has been developed in collaboration with OMOTEC, a leading organisation dedicated to advancing experiential learning through innovation. The establishment of the robotics lab marks a significant milestone in the institution’s commitment to nurturing future-ready learners. The project was facilitated through the dedicated efforts of OMOTEC Advisor Mrs Kajal Chattija and Headmistress Mrs Madhuri Cholke, whose vision and leadership played a crucial role in bringing this initiative to life. The inauguration ceremony was graced by eminent dignitaries, including Dr. Kajal Chhatija, Founder of Edudrone; Mr. Walchand Sancheti, Chairman of Camp Education Society; and respected members S. D. Agarwal and Dr. I. S. Imtiyaz Mulla. Their presence added prestige to the occasion and reinforced the importance of embracing innovation at an early stage of education. The dignitaries collectively encouraged students to explore technology with curiosity, creativity, and confidence. OMOTEC, founded by Dr Shekhar Avinash Jain and Dr Reetu Jain, has been at the forefront of establishing fully equipped innovation labs across educational institutions. Their mission is to empower students through hands-on learning in robotics, coding, and artificial intelligence, thereby bridging the gap between theoretical knowledge and practical application. The newly inaugurated robotics laboratory is designed to ignite scientific curiosity among young learners. By introducing students to coding fundamentals, robotic systems, and problem-solving methodologies at an early age, the initiative aims to build critical thinking skills and foster innovation. The lab environment encourages experimentation, collaboration, and experiential learning—essential components for success in the rapidly evolving technological landscape. Representatives from OMOTEC, including Avneet Singh, Kesar Patel, and Khizar Parkar, were present at the event to support the implementation process and guide the institution in effectively utilising the lab’s resources. Their expertise will play a vital role in ensuring that students gain meaningful exposure to emerging technologies. Adding to the vibrancy of the event was the enthusiastic participation of G-Force students, namely Ranvir Sharma, Ryan Singh, Suramrit Singh, Rajveer Kapdia, Shravya Shah, Reet Shah, and Drish Makhija. Their active involvement and keen interest in robotics activities reflected the potential impact of such initiatives in shaping young innovators. The ceremony concluded on an inspiring note, with a shared vision of empowering students with essential 21st-century skills. The presence of school leaders Mrs Sunita Jain, Mrs Madhuri Cholke, and Mrs Neelima Jadhav further emphasised the institution’s unified commitment to academic excellence and innovation-driven education. With the launch of this robotics lab, Camp Education Society’s Dr Cyrus S. Poonawalla School takes a decisive step toward becoming a hub for innovation, creativity, and experiential learning—preparing its students to thrive in a technology-driven future.