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  • Aishini – A Journey of Creativity, Courage, and Determination

    Aishini is a bright, creative, and determined young achiever whose journey reflects courage, passion, and perseverance. From an early age, she has shown enthusiasm in sports, arts, and creative activities, constantly exploring her abilities and expressing herself in unique ways. Aishini – A Journey of Creativity, Courage, and Determination Her journey of achievements began in 2019, when she successfully completed a remarkable 1‑hour non‑stop skating event on 1st August 2019, demonstrating her endurance and determination at a very young age. In the same year, her artistic talent received international recognition when she was honoured in the Picasso Art Contest under the Creative Brilliance category and was recognised as a Creative Gold Artist. This achievement highlighted her natural artistic ability and creative thinking. In January 2020, Aishini stood first in the balancing book race at her school, reflecting her focus and coordination. Along with skating, she has always shown keen interest in sports such as cricket, where she participates with great enthusiasm. Aishini began her Taekwondo journey in March 2024 at Achievers Taekwondo Academy under the guidance of Coach Suresh. With sincere effort and discipline, she quickly progressed and achieved significant milestones. In February 2025, she stood first and won a Gold Medal in the APS EPIC SHOW Interschool Taekwondo Competition. She also excelled in her belt promotion examination, earning her Green Belt along with the Best Performance Award, medal, and certificate. Her dedication to martial arts reflects her strength, confidence, and commitment. In addition to sports, Aishini has shown excellence in cultural activities. She participated in Harmony Fest, where she impressed everyone with her dancing talent and expressive performance. Her efforts were recognised at a larger platform when she received the UMEED Awards 2025 for her achievements in sports. This honour acknowledged her dedication and hard work. Aishini is also a young artist‑entrepreneur who is transforming her creativity into a meaningful venture. In 2026, she released Calendars‑2026 featuring her original artwork, marking the beginning of her entrepreneurial journey. She also creates handcrafted beaded jewellery such as bracelets, earrings, and necklaces, each piece reflecting her creativity, patience, and attention to detail. She is now expanding her initiative by developing lifestyle products featuring her artwork, including planners, diaries, bookmarks, writing pads, sticky notes, mugs, keychains, fridge magnets, T‑shirts, and tote bags. Through these creations, she is building her identity as an independent young entrepreneur. In recognition of her outstanding entrepreneurial spirit, Aishini received the UMEED Awards 2026 in Entrepreneurship. This achievement reflects her vision and determination. Apart from these accomplishments, Aishini enjoys drawing, painting, photography, music, and dance. Her journey is not just about awards but about growth, confidence, and self‑expression. She is an inspiration, showing that with encouragement, passion, and belief, every child can achieve meaningful success and create a positive impact.

  • Prof. Dr. Pratik Mungekar Receives Global Recognition for Extraordinary Academic Achievement

    In a moment of immense pride for India’s academic and scientific fraternity, Prof. Dr. Pratik Mungekar has been officially honored with the Certificate of Extraordinary Academic Achievement by the globally recognized Notable Book of World Records. This prestigious recognition marks a historic milestone in rural science outreach and reinforces India’s growing presence on the global academic stage. The award celebrates Dr. Mungekar’s remarkable accomplishment of conducting a three-day non-stop Rural Science Lecture Series under the banner of the Mashelkar–Swarup Space and Innovation Centre (MSSIC) in Narayangaon from 26 February to 28 February 2026, culminating on the occasion of National Science Day. What makes this achievement extraordinary is not merely its scale, but its spirit — a mission-driven academic movement dedicated to empowering rural India through science. Over the course of three intensive days, Prof. Dr. Mungekar addressed more than 5,000 students and teachers from various rural schools and colleges. The lectures were carefully designed to ignite curiosity, cultivate scientific temperament, and encourage innovation among young learners who often have limited exposure to advanced scientific discourse. Complex themes such as artificial intelligence, space science, research methodology, critical thinking, and innovation skills were delivered in an engaging and accessible manner, ensuring clarity without compromising depth. The achievement has been officially recorded under the title: “Maximum Number of Students Addressed Through a Three-Day Non-Stop Rural Science Lecture Series on the Occasion of National Science Day.” This recognition signifies more than a numerical milestone; it represents a powerful commitment to democratizing science education and bridging the urban–rural knowledge divide. Prof. Dr. Pratik Mungekar Receives Global Recognition for Extraordinary Academic Achievement Dr. Mungekar’s initiative stands as a transformative educational movement that brings high-impact science communication directly into rural classrooms. Guided by the inspiring theme “Think Science. Shape the Future,” the lecture series reaffirmed the belief that talent exists everywhere — opportunity must too. By nurturing curiosity and research-driven thinking at the grassroots level, the initiative lays a strong foundation for developing the next generation of scientists, innovators, and thought leaders from rural India. This global recognition underscores Prof. Dr. Pratik Mungekar’s unwavering dedication to strengthening rural education, promoting scientific awareness, and fostering a culture of inquiry and innovation. It is a testament to visionary academic leadership that transcends boundaries and proves that when passion meets purpose, transformation follows.

  • Ekrang 2.0: Where Over 800 Souls Painted Pune in the Colours of Inclusivity

    It was a weekend that defied definition. It wasn't just a festival; it was a movement. Ekrang 2.0, organised on February 21 and 22 at the Don Bosco Youth Center in Koregaon Park, transformed the venue into a powerful, emotional, and vibrant testament to the beauty of an inclusive society. With a footfall of over 800 people, the two-day fest, envisioned by Romal Surana (Founder and Director, Nanhaagyan Foundation) and Soma Gupta (Founder and Director, Ghumakkad and Ahilya), succeeded in its mission to let society experience inclusivity. It was a space where every emotion found a home—the happy tears of parents watching their children shine, the pride of educators, the joy of individuals discovering their own strength. Ekrang 2.0: Where Over 800 Souls Painted Pune in the Colours of Inclusivity The event was graced by an esteemed lineup of guests who lent their presence to the cause. The chief guests included Ms. Sneha Jadhav (President, Special Olympics Thane) and Mrs. Meena Nikam (Founder, Sai Pathways). Adding a touch of star power was celebrity guest Saaniya Chaudhari, famed for her role in Sangeeta Tu Ashes Ka, Daar Ughad Baye on Zee Marathi. The occasion was further elevated by the presence of Girish Konkar (CEO, Beyond Horizons Consultancy), Dr. Urvashi Shrivastava (CEO, Urvashi Kala Shriti), Ravi Rajhas (Retired Design Executive, Tata Motors and Tata Technologies), and Neela Rajhas (Retired Professor, VIT and COEP, Pune), who graced the event across both days. They loved the event and said "it is the colour of inclusivity which they have seen for the first time in their life." Day 1: Honoring Hope and Building Futures The first day, February 21, was marked by the prestigious Umeed Awards, which celebrated exceptional individuals and educators who travelled from different cities and states to receive their recognition. This was followed by a power-packed panel discussion on a crucial topic: "Growing Dignity: Inclusion and an Independent Future." The energy soared with the Rhythm of Togetherness performance, setting the stage for one of the most impactful initiatives of the fest—the Job Fair. This year, the job fair saw 35 individuals participate, ready to take their place in the workforce. The companies that on-boarded for this noble initiative included Grow – Dr. Reddy's Foundation, Me Marathi, Asha International School, Adycraft, Water World, and Ghumakkad, proving that ability knows no bounds. Day 2: Celebrating Resilience, Enterprise, and Creative Expression February 22 shone the spotlight on resilience with the Healing Light Awards. A staggering 46 awardees gathered from far and wide—including Delhi, Bangalore, Datia, Nasik, Karad, and Pune—to be honored for their journeys. Adding a vibrant splash of commerce and creativity to the day was the Ahilya Bazaar. Throughout the two days, this marketplace was a major attraction, featuring wonderful entrepreneurs who proudly showcased and sold their goods. From handcrafted jewellery and art to delectable treats, the stalls were a testament to the spirit of enterprise and self-reliance, proving that talent and determination know no barriers. The day then erupted in color and sound with the Rhythm of Togetherness group performance. The beat of Djembe drums, a spontaneous flash mob, and soulful singing and dancing opened the hearts of all individuals present. The celebration of talent continued at the Ekrang Expression Art Mela, a platform where everyone could showcase their unique abilities. The seamless flow of the two days was expertly managed by the talented stage team. The organisers expressed their deep gratitude to Vinamrata Bhatia, Petula Alphonso, and Janhavi Khare for their stellar work handling the stage and compering. The Sponsors: The Pillars of Success Such a large-scale event would not have been possible without the unwavering support of its sponsors. The organisers extended heartfelt thanks to Dr. Pravin Dhole (Founder, Kinder Spring), Masarrat Tavawalla (Co-Founder and Director, Sunderji Global Academia), Shringi Dubey (Founder and Director, The Asha International School), Asmita Vidya (Founder and Director, Anishaan Educational Trust - Future Priide Day Care and Inclusion School), and Vijay Sah (Founder, Waterworld). Gratitude was also extended to media partners Stay Featured, Mahaaz Times, and Me Marathi for helping amplify the message. A Movement, Not Just an Event The overwhelming feedback received by Romal and Soma post-event was summed up most eloquently by sponsor and attendee Masarrat Tavawalla, whose words captured the very soul of Ekrang 2.0: "Some weekends pass. Some weekends pause time. 21st–22nd February was not an event — it was a movement. Ek Rang – Season 2 was not just curated by Romal Surana and Soma Gupta — it was crafted with heartbeats. Two days. One colour. Infinite stories. Stalls lined with courage — pani puri and pav bhaji served with confidence, donuts dusted with determination, jewellery strung with patience, art dipped in self-expression. Vocational dreams from Sunderji Vocational Center and Sunderji Institute of Special School standing tall, not as exhibits — but as enterprises. Then came the applause that mattered... A Job Fair that didn’t just collect resumes — it collected aspirations. Conversations about strengths, preferences, individuality. Dignity in dialogue. Possibility in the air. And then… the most beautiful rhythm of all. Rhythm of Togetherness. A child and a parent. A sibling and a dream. A cousin and courage. On that stage, inclusion wasn’t spoken about — it danced, it painted, it sang. As a panelist in the discussion, as Chief Guest for Rhythm of Togetherness, I did not feel invited to an event. I felt included in a vision. Romal Surana and Soma Gupta — what you created was not Season 2. It was Chapter 2 of a social revolution. You built a platform where neurodiverse children were not 'accommodated.' They were celebrated. They were entrepreneurs. They were performers. They were professionals-in-the-making. And perhaps most importantly — they were seen. Ek Rang reminds us: When society chooses one colour, it limits itself. When it embraces every shade, it becomes art. Here’s to more seasons. More stages. More job offers. More parents wiping tears in the audience. More teachers standing taller. More children discovering that the world is ready for them. Not gratitude. Not thanks. Just respect — for building something that truly matters. 🌈" Ekrang 2.0 has indeed set a new benchmark, proving that when a community comes together, it doesn't just create an event—it creates a masterpiece of humanity.

  • YFLO celebrates 20 years of empowering women leaders and driving community impact

    Celebrating two decades of shaping women leaders, fostering entrepreneurship, and strengthening community networks, the Young FICCI Ladies Organisation (YFLO) commemorated its landmark 20th Anniversary at a grand function held on Monday evening at the Park Hyatt, Banjara Hills, Hyderabad. Over the past twenty years, YFLO has evolved into a powerful platform that has nurtured women changemakers across business, governance, healthcare, education, arts, and social impact — transforming networks into engines of meaningful societal change. YFLO celebrates 20 years of empowering women leaders and driving community impact   The milestone celebration, held under the leadership of Chairperson Ms. Pallavi Jain, reflected on YFLO’s journey from a leadership forum to a dynamic movement that continues to inspire purpose-driven action. In her opening remarks, Pallavi Jain said, “YFLO’s 20-year journey is a celebration of courage, collaboration, and the collective strength of women who dare to lead with purpose. Over the past two decades, we have built more than a network — we have nurtured a community of changemakers committed to shaping industries, uplifting voices, and creating lasting impact. As we mark this milestone, we reaffirm our belief that when women lead with vision and empathy, transformation is not just possible — it is inevitable.”   She further added that FLO has now transformed into a powerful national movement, reinforcing the role of women in leadership and nation-building. “I have learned that leadership is not about authority; it is about responsibility, stewardship, and service,” she remarked.   Highlighting the chapter’s achievements, Pallavi Jain noted that FICCI FLO Hyderabad has consistently set benchmarks of excellence — from establishing the first FICCI FLO office to pioneering the first industrial park initiative, and achieving one of the highest Governing Body representations at the national level. “This chapter has demonstrated vision backed by execution,” she said.   National Vice President Kamini Saraf delivered a message on behalf of FLO National President Ms Poonam Sharma.    The evening also honoured all past Chairpersons of YFLO and FLO for their contributions to building the organisation’s strong foundation. Several former leaders shared reflections on their journeys and the milestones achieved during their respective tenures.   A major highlight of the celebration was a distinguished Panel Discussion moderated by Ms Anjum Babukhan — education leader, philanthropist, community organiser, and Past Chairperson of YFLO — known for her work in civic engagement and interfaith harmony. The panel brought together eminent women leaders from diverse sectors, including Ms. Swati Lakra; Ms. Mahima Datla (Pharmacy & Healthcare); Ms. Swapna Dutt (Cinema & Creative Vision); Dr. Manjula Anagani (Women’s Health & Innovation); Dr. P. Sindhura Narayana (Education & Leadership); Ms. Jayanti Reddy (Craft & Couture); and Ms. Miheeka Daggubati (Art & Mental Health).   The discussion offered powerful insights into leadership journeys, resilience, innovation, and the evolving role of women in shaping India’s social and economic landscape. Bringing together voices from governance, healthcare, entrepreneurship, fashion, cinema, and mental well-being, the conversation underscored the importance of collaborative leadership in driving inclusive growth.   As YFLO marks twenty impactful years, the celebration stands as a tribute to its enduring legacy of fostering leadership, strengthening communities, and empowering women to lead with vision, responsibility, and purpose.

  • National Science Day 2026: MSSIC Launches Ambitious Three-Day Scientific Movement with World Record Vision

    In a bold and visionary initiative marking National Science Day 2026 , the Mashelkar–Swarup Space and Innovation Centre (MSSIC), Narayangaon  will host a landmark three-day Grand Science Lecture Series aimed at inspiring thousands of students across multiple institutions. Led by Dr. Pratik Rajan Mungekar , President of MSSIC and Director of Research, Innovation & Internationalisation, the initiative seeks to transform the annual observance into a nationwide scientific movement. The program is designed not merely as a commemorative event, but as a structured, high-impact academic engagement focused on cultivating scientific temperament among young learners. Observed annually on February 28 to honor the discovery of the Raman Effect by C. V. Raman, National Science Day serves as a reminder of India’s enduring scientific legacy. Drawing inspiration from this heritage, MSSIC’s 2026 edition expands the scope of celebration into a coordinated, large-scale knowledge outreach mission. Focus Areas of the Lecture Series The three-day program will deliver expert-led sessions across critical domains shaping the future of science and technology: Artificial Intelligence Innovation and Research Methodology Space Science Critical and Scientific Thinking The initiative aims to bridge academic learning with emerging global scientific paradigms, equipping students with both conceptual clarity and applied research orientation. World Record Attempt In an unprecedented move, MSSIC has announced its intention to attempt a world record  by reaching and inspiring an extraordinary number of students through a synchronized National Science Day academic campaign. The scale of coordination across institutions reflects a structured strategy to expand scientific engagement beyond geographical and institutional boundaries. Early Media Recognition Even prior to its official commencement, the initiative has received media attention and pre-event coverage, underscoring the magnitude, organizational depth, and visionary scope of the program. A Mission Beyond Celebration Organizers emphasize that the event represents more than a lecture series. It is positioned as a long-term movement toward strengthening scientific leadership, research culture, and innovation-driven thinking among India’s youth. With collaboration from MSSIC’s organizing team, partner institutions, educators, and thousands of participating students, the initiative moves forward under a unified guiding principle: Think Science. Shape the Future.

  • Kala Dharohar: A Vibrant Celebration of India’s Folk Heritage Illuminates Mumbai

    The rhythmic beats of music and the graceful swirl of ghagras transformed D Y Patil International School (DYPIS), Worli, into a kaleidoscope of Indian culture on February 14, 2026.  Ved Institute of Performing Arts (VIPA) proudly presented Kala Dharohar, a marquee event of the NCPA Mumbai Dance Season, supported by TATA Investment Corporation Limited.  A Divine Beginning The morning commenced with the traditional lighting of the lamp, a ceremony involving all collaborators to symbolize unity and reverence for the arts. This was followed by the Satkar (Felicitation), where esteemed partners were invited on stage with their logos displayed via projector, honoring the collective effort behind this cultural extravaganza. The show was graced by the esteemed presence of Miss Aanchal, representative of NCPA, giving the event the value it deserved.  A Journey Across India’s Soil The stage came alive with a breathtaking lineup of folk traditions, showcasing the sheer diversity of India's heritage:  Inaugural Grace: The event opened with a performance from the DY Patil International School, bringing the spirit of divinity to the stage. Abahani and Dalkhai dances of Odisha by Renata Pavrey, featuring traditional Odia sarees by Renata and the energetic Bihu by Sheetal Dandekar, to the high-octane Bhangra by Kinjal Shah, the audience was transported across regional borders.  Heart of the West: The grace of Rajasthan’s Ghoomar (presented by both Miss Swati and the VIPA team) met the vibrant energy of Maharashtra’s Lavani by Miss Anuya and Abhang from Maharashtra, presented by Shruti Nandoskar.  Spirituality in Motion: Miss Sushmita presented the ethereal Gandharva.  Mastery of Form: The showcase was further enriched by a specialized Mor Dance by Mr. Pramod, a stirring Odissa performance by Miss Singha, and a masterful Sufi Presentation by Dr. Anupama. The charm of cuteness was masterfully presented by the young students from Brightmind.  Gratitude to Our Pillars of Support The success of Kala Dharohar is a shared victory. We extend our deepest gratitude to:  Our Venue Partner: D Y Patil International School, Worli, for their unparalleled warmth, world-class facilities, and cooperative staff who ensured a flawless execution.  Our Supporters: TATA Investment Corporation Limited and NCPA Mumbai, for championing the cause of Indian classical and folk dance.  Our Featuring Partner: Stay Featured , for helping us share this cultural journey with a wider audience.  Our Creative Partner: The Momma Clan (TMC), for their vision, storytelling expertise, and creative direction in bringing this "Unspoken Diaries" collaboration to life.  The Gurus & Participants: To the mentors who preserve these traditions and the dancers whose passion breathed life into every mudra and step. As the curtains fell with a final vote of thanks and a celebratory group photo, the message of Kala Dharohar remained clear: our folk traditions are a living, breathing legacy. Bon Appétit to the soul! A perfect start to Valentine's Day with our love for Dance

  • Ekrang 2.0: 'The Colour of Inclusivity' Returns with a Two-Day Multi-Program Festival to Champion Neurodiversity and Inclusion

    In a groundbreaking effort to weave inclusivity into the fabric of society, Ekrang 2.0 - The Colour of Inclusivity is set to host a dynamic two-day festival. Founded and organized by Soma Gupta (Founder of Ghumakkad and Ahilya) and Romal Surana (Founder and Director of Nanhaagyan Foundation), the event aims to bridge gaps and create opportunities for neurodiverse individuals and the special needs community. Scheduled to take place on the 21st and 22nd of Feb 2026 at Don Bosco Youth Center, Koregoan Park, Pune, the festival will feature seven diverse programs designed to celebrate ability, foster dialogue, and provide tangible support. The lineup includes the prestigious Umeed Awards and Healing Light Awards, insightful Panel Discussions, a dedicated Job Fair, a vibrant Inclusion Talent Show, and an expressive Art Mela. This landmark initiative is powered by a coalition of like-minded organizations dedicated to building an inclusive society, including KinderSpring, Sunderji Global Academia, The Asha International School, Water World, and Anishan Educational Trust- Future Pride. Ekrang 2.0: 'The Colour of Inclusivity' Returns with a Two-Day Multi-Program Festival to Champion Neurodiversity and Inclusion United for a Cause The success of Ekrang 2.0 is bolstered by the collective expertise of its supporting partners, each contributing uniquely to the ecosystem of care: Sunderji Global Academia (est. 1996): A champion of inclusive education, offering individualized education, therapeutic care, and vocational training for neurodiverse learners across life stages. · KinderSpring: An integrative neurodevelopment initiative supporting children with autism and ADHD through a structured, root-cause-oriented approach combining clinical insight and family guidance. · WaterWorld: Founded in 1999 by Mr. Vijay Kumar Sah, this organization is dedicated to drowning prevention and water safety. Notably, its Autism Swim Centre provides specialized aquatic programs for children with special needs. · Anishan Educational Trust- Future Priide (est. 2018): Offers holistic education and daycare for children of all abilities, featuring a unique Panchtatva curriculum and school readiness programs. · The Asha International School: Provides a nurturing, inclusive environment with a Special Kids Preschool Program designed to equip diverse learners with essential tools for success. The Organizers' Vision · Nanhaagyan Foundation focuses on the mental and emotional health of individuals, offering counseling, parenting support, remedial classes, and platforms for special needs individuals. · Ghumakkad pioneers inclusive, nature-based travel experiences for families with special needs. · Ahilya is a women-led program promoting empowerment, peer learning, and inclusive leadership. Together, these forces have converged to create Ekrang 2.0—a testament to what can be achieved when compassion meets action. Media Partners The event is proud to have the support of dedicated media partners who are helping spread the word: Stay Featured, Mahaz Times, and Me Marathi. Free entry For more details, please contact: Romal Surana and Soma Gupta - 7709047790, 8805049536

  • Celebrating Ghanaian Flavors: From Street Food to Global Awards

    Ghana’s food culture is as vibrant and diverse as the country itself. From the sizzling aromas of roadside grills to the refined presentations at international culinary events, Ghanaian cuisine tells a story of tradition, community, and creativity. In recent years, the global spotlight has begun to shine more brightly on Ghana’s dishes, chefs, and food festivals, proving that local flavors can earn international recognition without losing their roots. Celebrating Ghanaian Flavors: From Street Food to Global Awards The Heart of Ghanaian Street Food In many Ghanaian cities, the true taste of the country begins on the street. Street food is not just a quick meal; it’s a daily ritual and a cultural experience. Vendors set up early in the morning and continue serving into the night, offering dishes that are both affordable and deeply satisfying. One of the most beloved street foods is waakye , a comforting mix of rice and beans served with spicy sauces, fried plantains, boiled eggs, and sometimes meat or fish. It’s a staple for many Ghanaians, especially as a hearty breakfast or lunch. Another popular favorite is kelewele , spicy fried plantain seasoned with ginger, pepper, and local spices. It’s often sold in small paper wraps, perfect for eating on the go. Then there’s chinchinga —Ghana’s version of grilled kebabs—marinated in a flavorful spice blend and cooked over open flames, filling the air with irresistible aromas. Street food in Ghana is more than just convenience. It reflects the country’s culinary heritage , passed down through generations of home cooks and small vendors who have perfected their recipes over time. Traditional Dishes That Define the Nation Beyond the streets, Ghanaian homes and restaurants offer traditional dishes that represent the country’s regional diversity. Each region has its own specialties, ingredients, and cooking styles. Jollof rice , one of West Africa’s most famous dishes, holds a special place in Ghanaian cuisine. Cooked with tomatoes, spices, and sometimes meat or fish, it’s a centerpiece at celebrations, parties, and family gatherings. Fufu and light soup  is another iconic combination. Fufu is made by pounding cassava and plantains into a smooth, stretchy dough, served with a flavorful soup often made with tomatoes, spices, and meat or fish. The dish is eaten by hand and is deeply connected to Ghanaian traditions and communal dining. In the coastal regions, seafood dishes such as grilled tilapia with banku  are widely enjoyed. Banku, made from fermented corn and cassava dough, pairs perfectly with spicy pepper sauces and freshly grilled fish. The Role of Food in Ghanaian Culture Food in Ghana is not just about nourishment; it’s about connection. Meals are often shared, and food plays a central role in celebrations, ceremonies, and daily life. From weddings and festivals to funerals and family gatherings, food is always present. Cooking is also a social activity. Recipes are often learned through observation and practice rather than written instructions. Children grow up watching parents and grandparents prepare meals, absorbing techniques and flavors along the way. This strong cultural connection to food is one of the reasons Ghanaian cuisine resonates so deeply with both locals and visitors. Ghanaian Cuisine on the Global Stage In recent years, Ghanaian food has begun to gain international attention. Restaurants specializing in West African cuisine have opened in major cities around the world, and Ghanaian chefs are showcasing their skills in global competitions and culinary events. Food festivals have also played a major role in this rise. Events dedicated to Ghanaian cuisine now attract international visitors, chefs, and media coverage. These festivals highlight traditional dishes while also encouraging innovation and modern interpretations. Global culinary awards and nominations have further boosted Ghana’s food profile. Recognition at this level not only celebrates the country’s flavors but also brings attention to its chefs, farmers, and food entrepreneurs. The Rise of Ghanaian Chefs and Food Entrepreneurs Behind the growing recognition of Ghanaian cuisine are passionate chefs and entrepreneurs who are bringing traditional flavors to new audiences. Some are opening modern restaurants that blend classic recipes with contemporary presentation. Others are creating packaged food products, sauces, and spices that make Ghanaian flavors accessible worldwide. Social media has also played a big role. Food bloggers, chefs, and home cooks now share recipes, cooking videos, and food stories online, helping to spread awareness of Ghanaian cuisine far beyond its borders. This new generation of culinary creators is redefining how Ghanaian food is perceived, proving that traditional dishes can stand proudly alongside any global cuisine. Food Festivals as Cultural Showcases Food festivals in Ghana are more than just places to eat—they are celebrations of culture, music, art, and community. Visitors can taste a wide range of dishes, watch live cooking demonstrations, and learn about the stories behind each recipe. These festivals also support local farmers, vendors, and small businesses by giving them a platform to reach larger audiences. As international interest grows, food festivals are becoming powerful tools for tourism and cultural exchange. They show the world that Ghanaian cuisine is not just about individual dishes, but about a rich and evolving food culture. From Local Streets to Global Recognition The journey of Ghanaian cuisine—from humble street stalls to international awards—demonstrates the power of authenticity. The same dishes that nourish local communities are now being celebrated on global stages. This recognition doesn’t change the essence of the food. Instead, it highlights the value of traditional cooking methods, local ingredients, and cultural stories. As more people discover Ghanaian flavors, the country’s cuisine continues to evolve while staying rooted in its traditions. Conclusion Ghanaian food is a celebration of flavor, history, and community. From the lively energy of street food vendors to the elegance of award-nominated culinary events, every dish tells a story. The growing global appreciation for Ghanaian cuisine is not just about taste—it’s about culture, tradition, and the people who keep those traditions alive. As Ghanaian chefs, festivals, and food entrepreneurs continue to gain international recognition, one thing remains clear: the country’s flavors are not just local treasures—they are global ones waiting to be discovered. Author Bio Alice is an Analyst. She takes seminars on Marketing, Technology etc. She is passionate about new gadgets. She likes to travel in her free time.

  • History Made Across Borders: Dr Pratik Mungekar Appointed First Indian International Visiting Professor at BulSU

    In a landmark moment for global academia and India–Philippines educational collaboration, Dr. Pratik Mungekar  has been appointed as the first International Visiting Professor from India —and notably, the first in the history of Bulacan State University (BulSU) Graduate School , Philippines. The appointment marks not just a personal milestone, but a symbolic step forward in cross-border knowledge exchange, research collaboration, and the shared pursuit of academic excellence. A Philosophy Rooted in Inquiry Dr. Mungekar’s academic ethos is captured in a line that defines his teaching philosophy: “When I teach, I don’t give answers—I plant questions strong enough to grow into research, innovation, and revolutions of thought.” This belief in inquiry-led learning, critical thinking, and intellectual courage lies at the heart of his work as an educator, researcher, and thought leader. Rather than transmitting information, his approach focuses on cultivating minds capable of questioning assumptions, generating original research, and shaping future systems of knowledge. History Made Across Borders: Dr. Pratik Mungekar Appointed First Indian International Visiting Professor at BulSU A Historic Appointment Dr. Mungekar formally received his appointment letter from Dr. Wally Galita , Vice President for Academic Affairs and Dean of the Graduate School at BulSU, in the presence of Dr. Eugene Mutuc , Director of the International Relations Office. The moment signified BulSU’s first-ever international visiting professorship from India—setting a precedent for future global academic partnerships. He expressed deep gratitude to BulSU President Dr. Andres  and the university’s leadership for their trust, vision, and commitment to internationalization in higher education. Beyond an Individual Achievement While the appointment honors Dr. Mungekar’s academic contributions, its broader significance lies in what it represents. This milestone reinforces the growing alignment between Indian and Southeast Asian academic institutions, emphasizing shared priorities in research excellence, innovation ecosystems, and graduate-level scholarship . For BulSU, the appointment strengthens its global academic footprint. For India, it highlights the increasing recognition of Indian scholars as contributors to international thought leadership. A Role of Service and Stewardship Dr. Mungekar has emphasized that this role is not merely honorary—it is one of responsibility. As an International Visiting Professor, his focus will be on mentoring graduate scholars, contributing to advanced research dialogues, and fostering collaborative frameworks that extend beyond institutional boundaries. “I am proud, grateful, and ready to serve,” he shared, underscoring a commitment to stewardship rather than status. A Signal to the Next Generation In an age where higher education is being redefined by global mobility and interdisciplinary thinking, Dr. Mungekar’s appointment serves as inspiration for young scholars and educators. It affirms that rigorous thinking, clarity of purpose, and a research-driven mindset can transcend geography. As Bulacan State University embraces this new chapter in its academic history, the message is clear: the future of education belongs to those willing to ask better questions—and build global bridges around them. Alab BulSU!

  • “When the Himalayas Tremble: Seismic Memory, Myth, and the Rising Earthquake Risk in India" Science-Forward / Policy-Serious- Parag Biswas

    The Himalayas have captivated humanity for millennia as much for its majestic peaks, serene valleys, and rich cultural heritage, as for the devastating earthquakes that inspired awe, curiosity, and sometimes even superstitions among its residents due to the uncanny relation between the biggest tremors in the region and some epoch-making events of Indian history and festivals in the country. Mystics point out that Lord Curzon declared the First Partition of Bengal just four months after the largest earthquake in the Himalayan history on June 6, 1905, measuring 8.9 on the Richter scale; the biggest earthquake in the eastern Himalayas, measuring 8.6 on the Richter scale, occurred exactly three years after the independence of India on August 15 , 1950; and one of the deadliest earthquakes of the current century, measuring 6.9 on the Richter scale occurred on September 18, 2011 in the Himalayas in Nepal, Sikkim and north Bengal during the Vishwakarma puja, which is a Hindu festival dedicated to Lord Vishwakarma, the divine craftsman, who is regarded as the “architect of the universe.” Mysticism apart, there has always been a fear of earthquakes among the residents of the hills and the foothills of the Himalayas as well as many far-off places in India and its neighbouring countries, who were significantly affected due to the catastrophic earthquakes in the Himalayas. The age-old fear turned into panic on November 28 last year, when the entire Himalayan arc was for the first time placed in a newly introduced highest-risk Zone VI in the updated seismic zonation map as part of the revised Earthquake Design Code by the Bureau of Indian Standards. The news of the new seismic zonation, in which the Sikkim-Darjeeling region was for the past time upgraded to the highest seismic risk Zone VI, spread like wildfire in the region. Reams were written and hours were spent by the regional media analyzing the significance of the upgradation. But as public memory is proverbially short, the thought of a devastating earthquake rocking the region was slowly ebbing from the minds of the residents by the first week of February this year, when the first of a series of earthquakes rocked Sikkim at precisely 1:09 am IST on February 5. Starting from the midnight tremor, Sikkim was jolted 33 times in a span of 13 hours, and though the magnitude of the quakes was 4.5 and less on the Richter scale, the tremors reminded the residents of the vulnerability of the Sikkim-Darjeeling stretch of the Himalayas to heightened seismic activities over the past few years and cautioned them about a massive earthquake that may hit the region soon. The Himalayan belt was earlier split between Zones IV and V, as the risks from long-unruptured fault segments in the Himalayas, particularly in the central Himalayas, was underestimated by seismologists since no major surface-rupturing event was recorded here in nearly two hundred years. But as the risk from future earthquakes has increased due to the frequent tremors and the burgeoning population and an ever-expanding urbanization in the region, the Himalayas, which sit directly on one of the most active tectonic collision boundaries on Earth, have now been placed in the country's highest seismic risk zone. The main seismic threat in the Himalayas stems mainly from the collision between the Indian Tectonic Plate and the Eurasian Plate that created the mountains about 50 to 60 million years ago. The collision is still driving the Himalayas upward as the Indian Plate is continuously pushing northward into the Eurasian Plate at about five centimetres per year. The persistent movement of the plates is continuously building an enormous pressure within the Earth's crust, and whenever the pressure gets released suddenly, it leads to a powerful quake. As the Himalayas are geologically young, the rocks in the mountains are still adjusting, folding and breaking, making the region more vulnerable to seismic threats. The presence of several major fault systems beneath the range, namely the Main Frontal Thrust, Main Boundary Thrust and Main Central Thrust, each of which are capable of generating large earthquakes, has aggravated the threat. The recent identification of long seismic gaps, where no major earthquakes for centuries have occurred, has increased the fear of a dangerous quake in the region as it suggests that there is a significant amount of energy stored beneath the Earth’s crust here, which is restless to get released. The residents and the authorities should, therefore, work hand in hand to ensure that minimum fatality and economic damage is caused due to a major earthquake in the region. The authorities must take immediate steps to ensure that stricter standards for buildings, bridges, and urban projects are adopted by the planners and engineers in the region; the disaster preparedness machinery is jacked up on an emergency basis; the retrofitting of infrastructure is urgently done; the expansions on soft sediments or active faults are stopped immediately; and the stipulated seismic standards are sincerely and honestly followed. E.O.M. paragbiswas1972@gmail.com

  • From Classroom to Camera: How Sangeetha Rajesh Built a Saree Empire on Facebook Live

    In an era where digital-native brands dominate headlines, Sangeetha Rajesh’s journey stands apart for its unlikely beginnings and radical simplicity. An ISB alumna and former remedial teacher, Sangeetha transformed her love for Indian textiles into one of the country’s most compelling direct-to-consumer success stories—using nothing more than a smartphone, Facebook Live, and relentless perseverance. Over the past decade, she has built a thriving saree enterprise by pioneering live-video commerce in a category long dominated by physical retail. By streaming directly from markets, mills, and weaving clusters across India, Sangeetha connected traditional manufacturers and artisans straight to customers’ smartphones—sidestepping middlemen and rewriting the rules of saree retail. A Million Sarees, Sold Live Without initially owning a large storefront, Sangeetha sold over 10 lakh (1,000,000) sarees  through 200+ Facebook Live shows . Her format is deceptively simple yet extraordinarily effective. During marathon live sessions—often lasting six to eight hours—she showcases hundreds of sarees one by one, describing their fabric, technique, provenance, and cultural story with the warmth of a seasoned educator. Viewers watch, comment, and claim their chosen pieces in real time in a “fastest-finger-first” format. In a single live event, Sangeetha can sell as many as 5,000 sarees , sometimes clocking ₹50 lakh in sales in one go . The experience mirrors a personal home-shopping show, but with the intimacy and immediacy of social media. By eliminating retail overheads and sourcing directly from weavers, she offers customers wholesale pricing on sarees ranging from ₹600 daily wear to ₹45,000 bridal silks —proving that live commerce can serve both mass and premium audiences. From Classroom to Camera: How Sangeetha Rajesh Built a Saree Empire on Facebook Live Broadcasting from the Source What truly differentiates Sangeetha’s model is location. She frequently goes live from the premises of saree manufacturers and artisan clusters—whether it’s the silk mills of Surat, the looms of Kanchipuram, or Kalamkari studios in Andhra Pradesh. Customers don’t just shop; they travel virtually through India’s textile heartlands, witnessing craftsmanship at its origin. By fusing storytelling with selling, Sangeetha has turned saree shopping into a cultural experience—what loyal followers affectionately call “saree-telling.” Community Before Commerce Consistency has been her greatest asset. In ten years without taking a single day off, Sangeetha has built a Facebook community of over 850,000 followers , each live show attracting thousands of eager viewers. Not a single live session has gone unsold; sarees often disappear within seconds of being showcased. Industry leaders have taken note. In a LinkedIn post, Prashanth Rao Aroor, CEO of Intellistay Hotels, remarked: “I’m just blown by this one-woman show that must be a $3–$5 million business annually, with her acute skill of sourcing from the weaver and cutting out the cost of a retail operation by going direct.” Learning the Hard Way Sangeetha’s ascent was far from effortless. With no formal fashion background—she was previously a pre-primary curriculum designer and remedial educator—she entered the saree business driven by passion rather than training. Early experiments led to losses, especially as she focused on niche art forms like Kalamkari when they were still considered esoteric. But setbacks became classrooms. She enrolled in courses at NIFT (National Institute of Fashion Technology) , traveled to craft hubs such as Machilipatnam and Srikalahasti, and deepened her understanding of textile traditions. By 2015, she was already conducting online exhibitions—well before live commerce became a buzzword. “I am my own investor and set my own targets,” she says, reflecting the independence that fueled her reinvention from boutique owner to live-commerce pioneer. Building an Ecosystem Today, Sangeetha’s Saree Emporium  employs over 100 people , spanning logistics, customer support, social media, and live-production teams who travel with her across India. Beyond direct employment, her model provides sustained demand for countless weavers, artisans, and manufacturers—creating a more efficient and equitable value chain. Her enterprise delivers both scale and social impact, aligning commerce with cultural preservation. From Digital to Physical—On Her Own Terms In a full-circle milestone, Sangeetha recently opened a 5,000 sq. ft. saree emporium in Hyderabad’s Banjara Hills , stocking over 15,000 sarees . The store serves as a physical extension of a brand built digitally—not a replacement for it. Her core focus remains live selling, now expanded into roadshows and hybrid exhibition-cum-live events across cities from Delhi to Bengaluru. An alumna of the Indian School of Business , Sangeetha credits ISB’s entrepreneurial ecosystem for sharpening her strategic thinking and resilience—helping her blend grassroots craftsmanship with modern marketing. Ahead of the Curve As live commerce accelerates across India’s retail landscape, Sangeetha Rajesh stands as a pioneer who anticipated the shift years in advance. Her journey demonstrates how technology can democratize entrepreneurship—how a single individual, armed with authenticity and insight, can modernize a centuries-old industry. At the close of each live show, as screens fill with comments and claimed sarees, Sangeetha reminds her audience that they’re not just buying fabric—they’re celebrating a legacy. And in doing so, she continues to prove that the saree, timeless and elegant, can thrive brilliantly in the digital age.

  • Uttar Dakshin – 15th Season: Where India’s Classical Traditions Meet in Musical Harmony

    Hyderabad is poised to become the meeting ground of India’s rich and enduring classical traditions with Uttar Dakshin – 15th Season , the annual concert series curated by Surmandal , in association with Vivid Arts & Entertainment . Over the years, Uttar Dakshin has evolved into a distinguished cultural platform that celebrates the confluence of Hindustani and Carnatic music, reaffirming the unifying power of India’s classical heritage. The much-anticipated concert will be held on Saturday, 14 February 2026 , at Ravindra Bharathi, Hyderabad , commencing at 6:30 pm . The 15th edition promises an evening of exceptional artistry, anchored in a rare and compelling jugalbandi  between two towering figures of Indian classical music. Taking centre stage will be Pandit Jayateerth Mevundi Ji , one of the foremost exponents of Hindustani vocal music today. Revered for his commanding gayaki and his deep-rooted lineage in the Jaipur–Atrauli gharana , Pandit Mevundi brings a meditative intensity and structural clarity to his performances. Sharing the stage with him will be the globally acclaimed Carnatic flautist Shri Shashank Subramanyam Ji , celebrated for his extraordinary virtuosity on the bamboo flute and his ability to seamlessly blend tradition with innovation. True to the ethos of Uttar Dakshin, the concert will go beyond stylistic boundaries to create a meaningful musical dialogue between North and South Indian traditions. Over the past fourteen seasons, the series has carved a unique niche by presenting inspired jugalbandis that highlight both the distinctiveness and the shared soul of India’s classical forms. Adding depth and dynamism to this musical exchange will be an equally eminent percussion ensemble. Shri V. Narhari Ji  on the tabla  will represent the rhythmic elegance of the Hindustani tradition, while Shri Satish Patri Ji  on the mridangam  will anchor the performance with the precision and complexity of Carnatic laya. Together, the ensemble is expected to weave an evening rich in melody, rhythm, and spontaneous creativity—hallmarks of a truly immersive classical experience. Presented by State Bank of India (SBI) , with the support of cultural partners and patrons, Uttar Dakshin – 15th Season  continues its legacy of nurturing India’s classical arts while fostering dialogue across musical traditions and generations. Music connoisseurs and rasikas are invited to be part of this memorable celebration—an evening where North meets South , and tradition meets imagination, in a resonant expression of India’s timeless musical spirit. Tickets are available on BookMyShow.

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